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Cinematographer Brett Danton used the C700 in harsh Australian conditions to shoot a commercial for Land Rover. The footage, captured from a speeding helicopter, showcased the camera's robust build, impressive color science, and ability to handle extreme lighting.

The C700's popularity can be attributed to several factors:

To launch the Full-Frame version of the camera (C700 FF), Canon released The Awakening . Shot in beautiful, historic locations in Mexico, this short video highlighted the gorgeous bokeh, shallow depth of field, and expansive field of view offered by the camera's 5.9K sensor. The video remains a benchmark for showcasing Canon's cinematic skin tones. Running with the Wolves (Shot on C700 GS)

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The 17-120mm focal range allowed tracking vehicles to capture tight wheel close-ups and wide landscape reveals in a single pass, while the C700’s global shutter option eliminated motion skew.

The Canon EOS C700 Go to product viewer dialog for this item. series, including the original and the later Full-Frame (FF) version

Q: What is the C700? A: The C700 is a film camera manufactured by Canon, designed for cinematographers and filmmakers. Cinematographer Brett Danton used the C700 in harsh

Crew members utilized the C700’s robust Codex recorder for high-frame-rate capture, while the 17-120mm lens allowed them to frame unpredictable wildlife from a safe distance.

The Ultimate Canon Cinema EOS C700 Filmography and Popular Videos Guide

The C700 was engineered for demanding Hollywood sets and high-end television broadcasts. Its ability to integrate seamlessly into multi-camera setups and its Netflix-approved status led to its adoption in several major projects. 1. Broadchurch (Season 3) Crime Drama / Mystery Cinematographer: Chris Ross BSC Shot in beautiful, historic locations in Mexico, this

: A creative short film directed by Francis Luta and shot by Jeremy Benning. It was produced for the Canon Canada launch to contrast warm real-world tones with gritty, dark "mindscape" visuals.

– Lensed by acclaimed cinematographer Sean Bobbitt, BSC ( 12 Years a Slave ), this gritty 1970s crime drama heavily relied on the Canon EOS C700. Bobbitt chose the camera for its exceptional performance in low-light, contrast-heavy environments, capturing the dark, textured streets of New York with minimal noise and maximum detail.