Airing on the Telecinco network, La que se Avecina was a joint production by the production company Alba Adriática. The pilot episode began as an original concept under the working title before being renamed to "Mirador de Montepinar" for its release.
The apartments have numerous construction flaws, including broken doorbells, poorly glued doorknobs, and paper-thin walls. It is within this imperfect "golden cage" that the series' trademark blend of social satire and domestic chaos begins to unfold.
The episode follows the chaotic arrival of the first owners to the Mirador de Montepinar urbanization. Despite the flashy marketing, the residents quickly discover the building is riddled with construction flaws:
La que se Avecina 1x1: El Caótico Inicio en Mirador de Montepinar
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
La que se avecina 1x01, "Mirador de Montepinar: Un Proyecto de Solidez," is a masterclass in efficient sitcom world-building. In under 80 minutes (including commercials; standard episode length ~70 min), it successfully transports the viewer from the familiar community of Aquí no hay quien viva into a new, more chaotic, and structurally unsound universe. By centering on the clash between Antonio Recio’s delusional order and Máximo Valdivieso’s disruptive authenticity, the pilot plants the seeds for a long-running satire of Spanish middle-class aspirations, neighborly hatred, and the eternal farce of living next door to people you would never choose to know.
: Antonio, an aggressive, ultra-conservative wholesale fishmonger, and his deeply religious wife, Berta, immediately stand out as the building’s most difficult tenants.
The show's clever writing quickly distinguished it, addressing common themes for its Spanish audience including the hardships of apartment living, the property bubble, and the struggle of young people to find a home. The cultural relevance of the series, evident even from this first episode, has allowed it to become a classic of Spanish television.
It’s broader and more cynical than Aquí no hay quien viva , but the laughs land because the characters are already so distinct.