Joshua Redman - Wish -1993- -lossless Flac- -
For the dedicated listener and audiophile, searching for is the only way to truly honor this classic. It is a purchase (or a careful, dedicated search) that yields a rich reward: the ability to hear this timeless masterpiece in its full, unadulterated glory. It’s not just listening to an album; it’s experiencing a pivotal moment in jazz history, exactly as it was intended to be heard.
| Track | Title | Writer(s) | Key Highlights | | :--- | :--- | :--- | :--- | | | "Turnaround" | Ornette Coleman | The album bursts to life with a Coleman classic. With Haden and Higgins having been part of Coleman's quartet, this opener is a masterclass in post-bop, establishing an interactive and swinging foundation for the album. | | 2 | "Soul Dance" | Joshua Redman | Redman's first original on the album is a gently swinging, soulful number that perfectly showcases his warm, full-bodied tenor tone and his gift for memorable melody. | | 3 | "Make Sure You're Sure" | Stevie Wonder | The first of the album's brilliant pop covers. Redman transforms Wonder's original into a "haunting jazz-noir statement," showcasing his ability to dig into a tune and reveal its hidden jazz potential. | | 4 | "The Deserving Many" | Joshua Redman | A contemplative and introspective piece that slows the pace, giving Pat Metheny room to layer his signature, shimmering guitar textures over Redman's lyrical saxophone lines. | | 5 | "We Had a Sister" | Pat Metheny | Metheny's composition is a beautiful, elegiac ballad, further showcasing the telepathic communication between the band members as they navigate its delicate emotional landscape. | | 6 | "Moose the Mooche" | Charlie Parker | A straight-ahead, hard-swinging bebop burner. This track proves the group can "swing hard and fast," paying lightning-quick tribute to Bird while injecting their own energy. | | 7 | "Tears in Heaven" | Eric Clapton | Redman's second pop interpretation is perhaps the album's most surprising. He transforms Clapton's heartbreaking ballad into "moving pop-jazz," a performance Alex Henderson famously dubbed "smooth jazz with substance". | | 8 | "Whittlin'" | Joshua Redman | A playful, nimble original that brings the studio session to a close with a mix of technical agility and infectious fun. | | 9 | "Wish (Live)" | Joshua Redman | The album's title track comes alive in this version recorded at the Village Vanguard. The live setting gives the music an extra spark, as the group explores the tune's contours in real-time. | | 10 | "Blues for Pat (Live)" | Charlie Haden | The album closes with a nearly 12-minute live blues from Charlie Haden. This extended performance is a masterclass in storytelling, a spontaneous conversation that builds to a powerful and soulful conclusion. |
When searching for , look for these markers of a genuine rip: Joshua Redman - Wish -1993- -Lossless FLAC-
Joshua Redman's Wish is more than a historical artifact of the 1990s jazz scene; it is a timeless document of master musicians at the peak of their interactive powers. To experience the "real organic unity" that Redman speaks of, listening to a lossless copy of the album is unparalleled. The interplay, the subtle shifts in dynamics, and the full resonance of each instrument are preserved in their entirety.
Wish remains a high-water mark for 90s jazz. It avoided the "Young Lions" trap of merely mimicking the 1950s, instead opting for a sound that felt organic and forward-thinking. It proved that Joshua Redman wasn't just the son of the great Dewey Redman—he was a singular voice capable of leading the masters. For the dedicated listener and audiophile, searching for
Joshua Redman's Wish is more than just a jazz album; it's a landmark recording that brilliantly captured a rising star at the dawn of his career, flanked by three absolute giants of the genre. Released in 1993, this sophomore effort serves as a perfect intersection of youthful fire and seasoned mastery. For the modern audiophile or dedicated collector, the search query for this title often includes the tag "Lossless FLAC," a clear signal that Wish is an album that demands to be heard with the highest possible fidelity. This article explores the timeless music of Wish , the legendary artists behind it, and why experiencing it in lossless FLAC format is the definitive way to appreciate its depth and detail.
(Sonny Rollins) – Redman pays homage to one of his primary influences with a spirited, rhythmically inventive take on this calypso jazz staple. | Track | Title | Writer(s) | Key
Put on your reference headphones (Sennheiser HD600, Beyerdynamic DT880, or similar) or your main monitor speakers. Close the blinds. Load your Lossless FLAC.
(Joshua Redman) – A reflective, atmospheric piece capturing a sense of place and quiet intensity.
However, it's the interpretations of pop songs that truly highlight Redman's unique vision. The AllMusic review famously notes that, "in Redman's hands, Stevie Wonder's 'Make Sure You're Sure' becomes a haunting jazz-noir statement". Similarly, the quartet transforms Eric Clapton's grief-stricken ballad "Tears in Heaven" into a moving piece of "pop-jazz" that one critic dubbed "smooth jazz with substance". These covers are not mere reproductions but thoughtful re-imaginings, demonstrating Redman's "ability to provide jazz interpretations of rock and R&B songs". The album closes with two live tracks from the Village Vanguard, including the extended 12-minute "Blues for Pat," capturing the raw, spontaneous interaction of this dream band in a club setting.